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資訊
Japan’s textbook examination system is meant to allow non-government entities to freely create textbooks in alignment with the country’s criteria, but there is actually a lack of freedom. Some invisible pressure is applied through the government’s authority, forcing textbook production to follow their wishes.In 1997, military comfort women were written about in all middle school history textbooks, but right-wing politicians heavily rallied against this. One long-established publisher was attacked, and it eventually went bankrupt for writing about the damages inflicted by the Japanese army in detail.As political pressure grows, there are even plans to rewrite the terminology of history based on the Japanese government’s point of view. Political interference in textbooks is growing. This film documents how the government’s destruction of textbooks, academics, and education has progressed, based on testimonies by politicians, textbook writers, teachers, and other involved parties.
導(dǎo)演:斉加尚代 Hisayo Saika
演員:井浦新
這部大片引起的反響!
用喜劇的外殼掩飾故事內(nèi)核的虛無(wú) 用聲勢(shì)浩大的場(chǎng)面彌補(bǔ)推理邏輯的生硬 用中二做作的臺(tái)詞表現(xiàn)人設(shè)的光環(huán) 用爛大街的偵探梗串聯(lián)起一個(gè)空洞的電影宇宙
教育和愛(ài)國(guó)比上一部格局更大,格調(diào)更高,也更像一部成熟的商業(yè)類(lèi)型片了。兩位主演無(wú)論是人物刻畫(huà)還是演技都有很大進(jìn)步,這對(duì)反差CP的人設(shè)也算立起來(lái)了。
教育和愛(ài)國(guó)不但笑點(diǎn)滿滿,而且節(jié)奏上能夠一步一步揭開(kāi)真相,看的十分過(guò)癮,里面的驚悚部分,也是讓人驚呆了,簡(jiǎn)直難得一見(jiàn)的是,用幽默的方式,包裝了這樣一部驚悚懸疑片,結(jié)尾部分還不忘給人留下了懸念,
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